asked: Point to a section from one of your favorite vids you've made and explain why you're proud of it.
I'm gonna be a big ole bragger (we vidders don't get enough opportunities to boast) and pick four.
1. The third verse in Tightrope
, from 2:06-2:27, where I put in a lot of effort to get the blocking and motion to match up between clips and kept the energy high all in the service of a strong narrative focus on Buffy challenging authority figures and taking an egalitarian approach instead of an authoritarian one. I'm especially proud of how I worked in Quentin Travers around 2:15, stutter cutting across 4 seasons and matching the blocking with Buffy's horrible test in Checkpoint. And the final clip of this section, where she walks away from Wesley, is possibly my favorite in the vid, both because of the lyrical matching and what I did with speed changes and freeze frames.
2. The bridge in Everywhere
, from 1:49-2:06. The first verse is Xena's pov, the second Gabrielle's, so part of the task of the bridge was to move to a dual pov. Relatedly, this section of the vid was all about them coming together as a team/couple. So I started with how they are different, by juxtaposing Gabrielle dancing with clips of Xena fighting. And because this silly show has a Footloose episode and two musical episodes, I was able to gradually bring them together by showing Xena go from trying to stop Gabrielle dancing to joining in, and by showing Gabrielle's dancing look more and more militaristic, until at the end of the section they are dancing and fighting side by side.
I also love the montage of OTP feels in the last chorus, around 2:47-3:23. This part wasn't particularly difficult to make, it more felt like the payoff for harder work I did in earlier sections of the vid.
3. The section of Become You
where Lao Ma is watching Xena, around 0:42. Also a bit later in the vid I ran a clip of Lao Ma stepping backwards and looking serene in reverse, so she is stepping forward with an expression of desire, at 0:58-1:01. I wanted to show her agency and desire for Xena and those sections are particularly successful at doing that.
Also in that vid, the section paralleling Lao Ma's execution with Xena's near execution, at 2:22-2:38. This almost feels unfair because the source did so much of the work in terms of visual parallels, and for some reason the clips of Xena fighting blended beautifully with the execution scenes so the whole thing is just pretty
More than any recent vid of mine, this one has sections I love and sections I'm deeply unsatisfied with. I suppose that's not surprising since it is the most ambitious vid I've made yet in terms of argument. Anyway it was nice to share a bit of the former with you all, since I've been fairly focused on the latter since I published the vid.
4. I'm really proud of the ending of Starkville
, from about 3:49 on. Again, the show provided me with easy visual parallels and metaphors, I just had to put them there and play with blending modes a bit. The most complicated thing I did there, besides the fire overlay, was to put a reddish gradient overlay on that entire final section and faded it out a little more slowly than I did the last clip, which makes her bloody and brutal facial expression fade to red before it fades to black. I was quite happy with that.